Hey Guys! It is Max here and lately, I inaugurated a series denominated as Masochist and in the very first article that I had composed for this fastidious series, I appended a table of books on my shelves that have low ratings on Goodreads and the book that I will be fractionating today had desisted on that list. The novel is none other than The Short Second Life Of Bree Tanner By Stephenie Meyer who had written the Twilight Series, The Host and The Chemist.
Just to recapitulate what I had constituted in the last article, the statistics for this novel will be written below. This way, it will be more insouciant for us to distinguish what others had elucidated on this book and what I have to say about this book:
Current rating: 3.5 stars
Genre: Paranormal Romance
Page Count: 178 pages
The number of people who rated this novel: 168,408
So, without further ado, let us get into the book review!
- All thoughts and opinions are on my own and,
- The review for this book is spoiler-proof. So, feel free to stay until the very end of this article!
Bree Tanner can barely remember life before she had uncannily powerful senses, superhuman reflexes, and unstoppable physical strength. Life before she had a relentless thirst for blood…life before she became a vampire.
All Bree knows is that living with her fellow newborns has few certainties and even fewer rules: watch your back, don’t draw attention to yourself, and above all, make it home by sunrise or die. What she doesn’t know: her time as an immortal is quickly running out.
Then Bree finds an unexpected friend in Diego, a newborn just as curious as Bree about their mysterious creator, whom they only know as her. As they come to realize that the newborns are pawns in a game larger than anything they could have imagined, Bree and Diego must choose sides and decide whom to trust. But when everything you know about vampires is based on a lie, how do you find the truth?
We shall commence with this review by stating on the scene that had transpired in the movie- Eclipse and to forge a contrast with the homogeneous scene that had occurred in the book. Honestly, the movie version of Bree’s persecution was remarkably desolating due to the outstanding performance of the actress who acted as Bree. In the movie, her inclination towards death was flaunted whereas, in the book, she embraced her death as if it was no big deal which also implored that she did not scream or cry or be afraid of the stages that will be taken place. Extra information: She is only 15 years old and her second life just originated. Clearly, it made no sense whatsoever because who would not be scared of getting persecuted- in this case, burned vigorously, innocently? Therefore, it concluded that I fancied the movie version of her death more than the cessation of her life scene in the book.
“I struggled to calm myself and shut my eyes again. There were things they didn’t want me to hear, either. I could live with that- if it meant I could live.” (pg. 155)
The style of writing was, ditto, not pre-eminent as of the rest of the Twilight series. I do not apprehend on how to meticulously pinpoint whether or not the writing was imperceptibly better in this novella than the rest of the books in the series because I examined that the writing was more concentrated and rigorous in the first half of the novel and the next just exerted a nosedive. For example, the quote above noted that she wanted to live instead of dying. However, when you sedulously scrutinize the previous sentences, she transcribed that she craved to die due to the immense amount of pain that she tolerated from her dead one-day boyfriend. In addition, there is a paragraph in the novel that I could not believe it had accepted to be published:
“I turned off my brain. It was time to hunt. I took a deep breath, drawing in the scent of the blood inside the human below. They weren’t the only humans around, but they were the closest.” (pg. 9)
I turned off my brain. I TURNED OFF MY BRAIN. What in the world? Hold on, if you shut off your brain, does that not mean that you are incompetent with the tasks at hand and instead, become an effigy that stands on a pedestal? Do take note that after Bree ‘turned off’ her brain, she is still able to move about and draws in the scent of human blood. To further obfuscate the material, this redundant paragraph managed to slip through the clefts of the editor and be promulgated:
“Weird. Diego was weird. How he sounded like a person having a regular old conversation. No hostility, no suspicion. Like he wasn’t thinking about how easy or hard it might be to kill me right now. He was just talking to me.” (pg. 7)
This paragraph is not half as nefarious as the one we had conversed on above. Still, it was repetitive and I effectuated that it was the reiteration of paragraphs and words or information that had prompted Stephenie Meyer’s novels to be more longspun than it should be. For example, we already sanctioned that she called Diego a weirdo but Stephenie Meyer decided to supplement the word count by placing: ‘Diego was weird’ as if we do not already know that. Thus, the writing style for this novel was overall confusing.
“Kissing didn’t sound the same with Vampires as it did with humans. No soft, fleshy, liquid-filled cells to squish against each other. Just stone lips, no give. I had heard one kiss between Vampires before- Diego’s touch my lips last night- but I never would have made the connection. It was so far from what I’d expected to find here.” (pg. 71)
Frankly, I do not wallow in that many details. Details like these: Kissing for Vampires is like stone grinding against a stone, causing friction which would erupt into flames if you are not careful. I exaggerated there but candidly, I do not need to discern how kissing sculptures for Vampires. That is just plain repugnant. Also, it induced me to reminisce of these undesirable scenes: Bella kissing a stone who is Edward. You are welcome.
“He was pretty, with dark, dense, curly hair, big, wide eyes, and really full lips, but then, who wasn’t pretty?” (pg. 4)
As for now, Diego and Bree will be in our limited circuitous notoriety. I am not even ribbing, Bree had no temperament and I do not discern on why she is the cyanogen of the story. Bella’s personalities blanched opposed to Bree’s. Diego had an insignificant nature and an even minor cleft in his personality: He was loyal (and vacuous) up to the apex where he does not notice that the one he respected and trusted will hurt him the most. He was attractive and of course, he will fall for that one girl who had no disposition. Do not even get me enkindled on the less than one-day insta-love. Whatever, I am going to ramble:
They went hunting for food together + they conversed on random notions + they kissed + they will die for each other + Bree wanted to die when she realized that Diego died + all of these scenes in less than 24 hours = WTF-INSTA-LOVE
The only positive point in this book that I could denote is the middle section of the novel. I thought the core segment of this novel was the strongest in this whole novel because I finally sensed something that I could clasp on- the perplexity of the situation. I fancied learning about the Victoria Army and the layout to ambush the Cullens and procure Bella as the prize. I presume that that was the only time where I truly let myself immerse into the world and experienced the tension that the characters were having. Unfortunately, it was short-lived.
In conclusion, I am bequeathing this novella with an E (20%). I presume that you will appreciate this novella if you adored the rest of the Twilight series but I, unfortunately, do not relish on some of the books in that series and this book had now been stacked on top on that list. Thus, the rating.
This is the end of my spoiler-free review for The Short Second Life Of Bree Tanner! I hope you all enjoyed it and follow me with your email/Wordpress account to get notifications when I post a new article! Bye!